Live

I once read the sentence 'I lay awake all night with a toothache, thinking about the toothache an about lying awake.' That's true to life. Part of every misery is, so to speak, the misery's shadow or reflection the fact that you don't merely suffer but have to keep on thinking about the fact that you suffer. I not only live each endless day in grief, but live each day thinking about living each day in grief.

It's a blast to watch. It's a lot more interesting live than it is on record. I mean, it really is a theatrical event. It's a sporting event Cause you never know what's gonna happen.

I am an artist... I am here to live out loud.

One can't live mindfully without being enmeshed in psychological processes that are around us.

At the end of the film Val suggests there may be a way to rejoin the living, when he says, 'Let's see if we're able to live among the living, walk among the living.'

People who don't travel cannot have a global view, all they see is what's in front of them. Those people cannot accept new things because all they know is where they live.

I live a very low-key life.

It's always a live experience - anything that happens around you. It's so easy to just put it to a song.

If you going to live by a certain code - as Bob Dylan said, you gotta serve somebody.

Sports don't define us it is not what we live for.

There are people I would like to work with. It's a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I can't really circulate. So I tend to stick to my own thing.

It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.

I don't do live things.

Sometimes I wish that there were a way to let people know that just because I live in a world without rules, and in a life that is lawless, doesn't mean that it doesn't hurt so bad the morning after.

In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead.

I didn't develop or build synths. I had my technicians modify them for my live stage performances.

It doesn't really mean a great deal of difference to a life. You live as you wish to do and if a job is oppressing, you leave it. I've done it on several occasions.

I think we were probably playing live for about 12 months before we got a recording deal.

Men and women must be educated, in a great degree, by the opinions and manners of the society they live in.

Most of us don't live lives that lend themselves to novelistic expression, because our lives are so fragmented.

But a lot of writers - and I'm one of them - do tend to feel dissatisfied. It makes you a little hard to live with, but it's a goad and does keep you alert and restless.

London is a small place, and it is very incestuous. People know where you live. Everybody is sort of on top of each other.

There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.

Roberto Clemente, not only because you played right field like it was supposed to be played, but your humanitarian efforts will live on forever.

Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher